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Some people discover pencillin. Others spill battery acid and then somehow, suddenly, they’ve invented the phone. Me? I improvise Sazeracs with applejack brandy.
While riffling through my ever-beloved Difford’s Encyclopedia of Cocktails recently, I was stopped dead in my tracks by Simon Difford’s recipe for a Sazerac. Ask any goomba how to make a classic one and you’ll be told rye whiskey, bitters (Peychaud’s, sometimes Angostura too), a sugar cube, and an old-fashioned glass coated with absinthe. Well, that’s just not good enough for Monsieur Lord Simon Difford, Esq., Ph.D. VII…
Last year, I did some damage to a bottle of yellow Chartreuse. Actually, it was only half a bottle; a Francophone friend up here in Montreal asked me to bootleg him back from the States a 375ml-sized bottle of the stuff, and as I could only find the 750ml size, I shared it with him.
A million years ago
Anyway, I’ve had some yellow Chartreuse on hand, is what I’m saying, and it’s one of those liqueurs (like ouzo) where a little goes a long way. Especially since it’s got a peculiar flavor that doesn’t go with every Old Tom, Dick and Harry. Even more especially because yellow Chartreuse, unlike its green cousin, is super ‘spensive, so you want that shizz to last.
Just as I often cannot keep it in my pants for Eric Felten, the PhoBlograpHusband‘s got it bad for Old Mr. Boston, the circa-1935 Official Bartenders Guide we received from a friend. It’s quite the thorough, reliably voiced tome, considering it doubles as a hardcover, portable advertisement for Old Mr. Boston’s erstwhile products, such as Old Mr. Boston Blended Whiskey and Connoisseur Creme de Cacao. (There’s even a glossy-paged centerfold replete with handsome liquor ads. Oh 1935, how naughty wast thou!)
Anyway, Sean was thumbing through the thing the other day and happened upon the Perfect Cocktail and asked if he should whip it out up for the blog. I figured, yes, of course, why not, as we can talk about the concept of “perfect” in cocktail-making, that it’s not just a boast but that it actually means something, namely the addition of dry and sweet vermouths to a drink in equal measure.
I can feel another Eric Felten rager coming on — my curious condition wherein I just want to make cocktails from his book, How’s Your Drink? — and as this one coincides with the advent of the new season of Mad Men, I give you the Vieux Carre.
First, please allow me to quote liberally from Felten’s prose regarding the Vieux Carre’s New Orleans origins (New Orligins?):
“Then there’s the Hotel Monteleone‘s Carousel Bar, where the circular bar revolves slowly under a whimsical carnival canopy of carved wood, mirrors, and bare bulbs. The barstools don’t go up and down, thankfully, but the experience can still be a little disorienting; get caught up in a conversation, and the next thing you know, you’re on the other side of the room. Ask bartender Marvin Allen to mix you up a Vieux Carre, a terrific drink invented by the Carousel’s barman in the 1930s, and unknown to most mixologists outside of the Hotel Monteleone.”
Spring has come to Montreal one day ahead of schedule, and man, has it come correct. It’s a splendiferous afternoon up here, one I’ve happily wasted flitting around like a little butterfly, gazing through my office window as neighbors garden their front yards and stray cats strut about the sidewalk, repeatedly checking to see if the snow in our backyard has completely melted (it has not) and just generally jumpy as a junebug and grinning like an idiot. Seasonal affective disorder — what a real thing that is!
Did you know today’s National Hangover Awareness Day? I did as of 90 seconds ago! Which is when I saw a tweet about the more-a-promotional-stunt-than-actual-commemorative-day Day. Although it makes sense, when you read the press release think about it: The Monday after the Super Bowl, in fact, clocks more calls in sick to work than any other day of the year.
If there were an official Five O’Clock Press Release in response to the NHAD press release, nobody would read it it would read:
Dear Rachael Ray,
‘Member a few years ago when Anthony Bourdain rained ninja spawn on you for shooting that Dunkin’ Donuts ad, the one where you sported a keffiyeh like some kind of cultural anthro major at Columbia? He was pissed because, in his ideal, folks like you should advocate for sound, wholesome foods, which you’ve gotta admit is a point.
I am mad at you too, Rachael Ray. I am mad because last year your eponymous mag, Every Day with Rachael Ray, printed this:
And I read: “Here’s a sweet idea: Use lollipops as color-coordinated cocktail stirrers.” O Rachael Ray, where do I begin?
















